If you are reading this right now you may be looking for a Dallas location sound mixer. You could either be a movie producer or sub contracted to source a local production mixing company or individual in the Dallas area. This article should give you some tips in sourcing for a good sound or production outfit.
Nothing beats a good referral. And this is true especially if you are strapped for time due to a hectic schedule. Ask around for a good recommendation from your peers, especially from someone who has recently had sound production done locally in the area.
Do look in the internet for more choices, or even the local yellow pages if you have access to it. This is a good move as it will give you contact names and addresses you can call or visit. Once contacted, ask each of these contacts the kind of work they have done and what they can do for you. Ask about any past projects that they feel is noteworthy of their skills and of your business with them.
Next of prime importance is an equipment check. If you can ask the provider or sound producer a list of the equipment he has on hand and see if it fits your needs. A good producer should be able to provide what you need at the minimum on the site so that you yourself are not bogged down with your own equipment. Make sure he has the requisite number of microphones and recording apparatus to make your work go smoother, as well as the required number of personnel to help him.. If he or she is a one man outfit, there might be some concern.
At the onset know what you really need from the guys doing your local audio mix and production. Tell them if you either need mono, surround or even stereo sound, or a combination of all. Putting your expectations right away at the table will save you headaches much later.
In terms of additional manpower, the local producer you hire must be able to provide his own boom operator and sound technician. This will mean you will have less manpower to think about. A reliable provider of this service will always be aware that he needs to provide his own manpower and not depend fully on the production outfit hiring him.
Make it clear to the people you hire their limitations on the set. Let them know what they can do and cannot do so as to have a smooth workflow between the different units in the crew. Most often, some subcontractors of movie outfits tend to be carried away with doing too much or too little once the whole thing gets going on the set.
Look also for the right attitude in the Dallas location sound company or producer that you hire. They must not have too much braggadocio in that they want everything their way and neither must they be too meek to give a good recommendation when needed. In short, get one that is professional and easy to work with.
Nothing beats a good referral. And this is true especially if you are strapped for time due to a hectic schedule. Ask around for a good recommendation from your peers, especially from someone who has recently had sound production done locally in the area.
Do look in the internet for more choices, or even the local yellow pages if you have access to it. This is a good move as it will give you contact names and addresses you can call or visit. Once contacted, ask each of these contacts the kind of work they have done and what they can do for you. Ask about any past projects that they feel is noteworthy of their skills and of your business with them.
Next of prime importance is an equipment check. If you can ask the provider or sound producer a list of the equipment he has on hand and see if it fits your needs. A good producer should be able to provide what you need at the minimum on the site so that you yourself are not bogged down with your own equipment. Make sure he has the requisite number of microphones and recording apparatus to make your work go smoother, as well as the required number of personnel to help him.. If he or she is a one man outfit, there might be some concern.
At the onset know what you really need from the guys doing your local audio mix and production. Tell them if you either need mono, surround or even stereo sound, or a combination of all. Putting your expectations right away at the table will save you headaches much later.
In terms of additional manpower, the local producer you hire must be able to provide his own boom operator and sound technician. This will mean you will have less manpower to think about. A reliable provider of this service will always be aware that he needs to provide his own manpower and not depend fully on the production outfit hiring him.
Make it clear to the people you hire their limitations on the set. Let them know what they can do and cannot do so as to have a smooth workflow between the different units in the crew. Most often, some subcontractors of movie outfits tend to be carried away with doing too much or too little once the whole thing gets going on the set.
Look also for the right attitude in the Dallas location sound company or producer that you hire. They must not have too much braggadocio in that they want everything their way and neither must they be too meek to give a good recommendation when needed. In short, get one that is professional and easy to work with.
About the Author:
You can visit the website www.texassoundman.com for more helpful information about Hiring Dallas Location Sound Tips And Tricks
No comments:
Post a Comment