Dubstep Sounds come in a ton of different EQ ranges, tones, keys, speeds and textures. The common theme amongst all of them are fixation with beat (drums are the whole basis of electronic dance music), and speed.
You need a sample pack that features gobs of standard different beats, drums, drum breaks, and single drum hit samples. But you also should have odd, off-beat and rarely-heard sounds that give you a huge sonic palette for a producer to draw from.
Do You Like Your Low Register Wobbled or Dropped?
Aside from the focus on schizoid rhythm and beat construction, low-register is the other calling card of dubstep sounds. And if the bass isn't wobbled, then it sure isn't dubstep!
But what's wobbled bass? Its the technique of rhythmically manipulating a low (usually buzzing) bass line after it hits the downbeat of the measure. Obscure, geeky sound manipulation approaches like filtering, transforms or fuzz are usually used to get the wobble effect.
The "drop" is the most fundamental formal constant in this style, and not only a "dubstep sound" per se. But if we are talking about sounds in their purest form, then the absence of bass in the first 60 seconds or so of just about every track - and then the pronounced, in-your-face introduction of it at about the one minute mark (most dubstep tracks are 140bpm, and 32 measures of intro end at about 55 seconds) - then you would definitely need to classify the "drop" as an important dubstep sound.
The remaining crucial part of the most common dubstep type in America - aka "brostep" - is the harsh and agressive timbres that normally accompany the drop. This is the style that made Skrillex legendary.. Forget subtle use of sub-bass frequencies and well-balanced EQ range - Skrillex-style brostep is the severe, squealing, in-your-face sound. You will need a huge set of off-kilter samples and loops to reach a the same outcome in your tracks.
Just one final parting statement: worrying about audio quality and also cobbling together clips, samples as well as loops is without a doubt enjoyable, yet it can be distracting from just what the key objective ought to be: producing great new music! So remember to focus on the composition, the melody, harmony and rhythm - and focus on making a great hook. The "production" will come naturally!
You need a sample pack that features gobs of standard different beats, drums, drum breaks, and single drum hit samples. But you also should have odd, off-beat and rarely-heard sounds that give you a huge sonic palette for a producer to draw from.
Do You Like Your Low Register Wobbled or Dropped?
Aside from the focus on schizoid rhythm and beat construction, low-register is the other calling card of dubstep sounds. And if the bass isn't wobbled, then it sure isn't dubstep!
But what's wobbled bass? Its the technique of rhythmically manipulating a low (usually buzzing) bass line after it hits the downbeat of the measure. Obscure, geeky sound manipulation approaches like filtering, transforms or fuzz are usually used to get the wobble effect.
The "drop" is the most fundamental formal constant in this style, and not only a "dubstep sound" per se. But if we are talking about sounds in their purest form, then the absence of bass in the first 60 seconds or so of just about every track - and then the pronounced, in-your-face introduction of it at about the one minute mark (most dubstep tracks are 140bpm, and 32 measures of intro end at about 55 seconds) - then you would definitely need to classify the "drop" as an important dubstep sound.
The remaining crucial part of the most common dubstep type in America - aka "brostep" - is the harsh and agressive timbres that normally accompany the drop. This is the style that made Skrillex legendary.. Forget subtle use of sub-bass frequencies and well-balanced EQ range - Skrillex-style brostep is the severe, squealing, in-your-face sound. You will need a huge set of off-kilter samples and loops to reach a the same outcome in your tracks.
Just one final parting statement: worrying about audio quality and also cobbling together clips, samples as well as loops is without a doubt enjoyable, yet it can be distracting from just what the key objective ought to be: producing great new music! So remember to focus on the composition, the melody, harmony and rhythm - and focus on making a great hook. The "production" will come naturally!
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Hope the article helped you figure out how to deal with Dubstep Sounds. Check out our other page for more info on the topic: http://greatdubstepsounds.blogspot.com/
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